档案资源开发2025年第39卷第4期《档案学研究》
档案文创产品中的“在地性”——基于对中国档案学会两届档案文创作品展示活动的考察
The "Localization" of Archival Cultural and Creative Products: An Examination of Two Exhibitions of Archival Creative Works Organized by the Society of Chinese Archives
上海大学文化遗产与信息管理学院 上海 200444
摘要
“在地性”在人文社科领域展现出的巨大思想活力,赋予了档案文创研究与实践积极的认识内涵。本文以中国档案学会两届档案文创作品展示活动为样本,剖析档案文创中生产、记忆、理念、情感等在地性特征,揭示其从物质载体到文化认同的生成逻辑。研究发现,当前实践存在文化属性失衡、符号诠释浅表、传播效能受限等困境,提出交融互化、体验强化、需求关怀、意义重构四维路径,推动“在地性”融入从自发转向自觉,以为中国特色档案文化服务提供理论支撑与实践参照。
关键词:在地性档案文创产品在地文化档案文化情感认同
Abstract
The profound conceptual vitality of "localization" in the humanities and social sciences has endowed archival cultural and creative research and practice with constructive epistemic significance. Taking two ACC exhibitions organized by the Society of Chinese Archives as case studies, this paper analyzes the localization features of archival cultural and creative products—spanning production, memory, conceptualization, and emotion—and reveals their generative logic from material carriers to cultural identity. The study identifies critical challenges in current practices, including imbalance in cultural attributes, superficial interpretation of symbols, and limited communication efficacy. A four-dimensional optimization framework is proposed: cultural integration, experiential enhancement, demand-oriented engagement, and meaning reconstruction. These pathways aim to promote the transition of "localization" from spontaneity to consciousness, thereby providing theoretical and practical foundations for constructing archival cultural services with Chinese characteristics.
Key words: localization; archival cultural and creative products; local culture; archival culture; emotional identity
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